Difference between revisions of "Ableton Live"
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==DJ'ing With Live== | ==DJ'ing With Live== | ||
===The Basics=== | ===The Basics=== | ||
| − | 1. READ THE MANUAL, ok, so they're long winded and pretty boring, but I guarentee, you'll find something in it that you didn't know before, and it'll probably be useful at somepoint. | + | 1. READ THE MANUAL, ok, so they're long winded and pretty boring, but I guarentee, you'll find something in it that you didn't know before, and it'll probably be useful at somepoint.<br/> |
2. Fine, don't read it. but you'll need to know how to warp your tracks. Warping, like beatmatching on normal decks is a skill, which you WILL need to learn, it's fairly easy with a 4/4 house beat, but not so easy with an orchestral piece, so don't worry if you don't get it spot on straight away... | 2. Fine, don't read it. but you'll need to know how to warp your tracks. Warping, like beatmatching on normal decks is a skill, which you WILL need to learn, it's fairly easy with a 4/4 house beat, but not so easy with an orchestral piece, so don't worry if you don't get it spot on straight away... | ||
here's some helpful video's that show you how to do it.<br/> | here's some helpful video's that show you how to do it.<br/> | ||
| − | [http://www.youtube.com/watch?v=2OMXPz8Z-sY A good basic introduction, should get you started] | + | [http://www.youtube.com/watch?v=2OMXPz8Z-sY A good basic introduction, should get you started]<br/> |
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===Cueing=== | ===Cueing=== | ||
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===EQ=== | ===EQ=== | ||
| − | The EQ3 is designed to replicate the standard 3-band EQ as found on nearly every DJ mixer in existence (Allen & Heath and budget models excluded) and is generally speaking the first effect/plug-in to put on the audio channel track. | + | The EQ3 is designed to replicate the standard 3-band EQ as found on nearly every DJ mixer in existence (Allen & Heath and budget models excluded) and is generally speaking the first effect/plug-in to put on the audio channel track. |
| + | * Tip | ||
| + | By default, the low frequency cut off is set quite low, change the "freq lo." of the eq3 to about 450-500hz for a more effective low end eq cut for general mixing purposes<br/><br/> | ||
For more advanced work, such as multiple layering of tracks, the EQ8 is a better option, the choice of lo/hi-shelf, bandpass, lo and hi-pass filter, variable resonance, gain, and frequency give improved flexibility and sound-sculpting options. | For more advanced work, such as multiple layering of tracks, the EQ8 is a better option, the choice of lo/hi-shelf, bandpass, lo and hi-pass filter, variable resonance, gain, and frequency give improved flexibility and sound-sculpting options. | ||
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[[:media:xboard25.jpg|E-Mu Xboard 25]]<br/> | [[:media:xboard25.jpg|E-Mu Xboard 25]]<br/> | ||
[[:media:DJM-800.jpg|Pioneer DJM-800]]<br/> | [[:media:DJM-800.jpg|Pioneer DJM-800]]<br/> | ||
| − | [[:media:xone3d.jpg|Allen & Heath Xone 3:D]]<br/> | + | [[:media:xone3d.jpg|Allen & Heath Xone 3:D]]<br/><br/> |
To assign a MIDI control to a parameter, first click on the word "MIDI" in the top right corner, everything you can assign will turn blue, click on the parameter you want to assign to a control (eg. an eq gain) and then activate the control you wan to control the parameter (eg. turn the dial you want to control the eq gain with) then click back on "MIDI" to ext the midi assign mode. | To assign a MIDI control to a parameter, first click on the word "MIDI" in the top right corner, everything you can assign will turn blue, click on the parameter you want to assign to a control (eg. an eq gain) and then activate the control you wan to control the parameter (eg. turn the dial you want to control the eq gain with) then click back on "MIDI" to ext the midi assign mode. | ||
Revision as of 20:10, 8 October 2007
Contents
Introduction to Ableton
Ableton Live is a loop-based software music sequencer for Macintosh and Windows by Ableton. The latest major release of Live, Version 6, was released in September 2006. Unlike other software sequencers, Live is designed around the notion of being as much an instrument for live performances as a tool for composing and arranging.
Though if you're here, you already know that!
The idea of this wiki entry is to be a one-stop shop for everything ableton, references, links, how-to's etc. (though being the TMB, we'll see) both from a DJ'ing side, and a production side.
DJ'ing With Live
The Basics
1. READ THE MANUAL, ok, so they're long winded and pretty boring, but I guarentee, you'll find something in it that you didn't know before, and it'll probably be useful at somepoint.
2. Fine, don't read it. but you'll need to know how to warp your tracks. Warping, like beatmatching on normal decks is a skill, which you WILL need to learn, it's fairly easy with a 4/4 house beat, but not so easy with an orchestral piece, so don't worry if you don't get it spot on straight away...
here's some helpful video's that show you how to do it.
A good basic introduction, should get you started
Cueing
If you have a nice multiple output soundcard, (this doesn't include Soundblaster Audigy Series, and similar surround sound cards.. it can be done but it's complicated.. maybe later!) it is possible to set it up so you can listen to stuff through your headphones before you play it through the master out.
EQ
The EQ3 is designed to replicate the standard 3-band EQ as found on nearly every DJ mixer in existence (Allen & Heath and budget models excluded) and is generally speaking the first effect/plug-in to put on the audio channel track.
- Tip
By default, the low frequency cut off is set quite low, change the "freq lo." of the eq3 to about 450-500hz for a more effective low end eq cut for general mixing purposes
For more advanced work, such as multiple layering of tracks, the EQ8 is a better option, the choice of lo/hi-shelf, bandpass, lo and hi-pass filter, variable resonance, gain, and frequency give improved flexibility and sound-sculpting options.
MIDI Controllers
If you don't yet have a MIDI device, you will probably quite quickly get bored of Ableton, or at least, you're missing out on a whole chunk of it's functionality. With a MIDI controller you can manually control nearly every parameter within ableton on the fly.
There are a great range of MIDI controllers on the market, each with their own pro's and con's, so which one to go for depends on your budget, style and needs, some of the most popular include:
Evolution X-Session
Evolution X-Session Pro
Evolution UC-33
M-Audio Trigger Finger
M-Audio Oxygen8
E-Mu Xboard 25
Pioneer DJM-800
Allen & Heath Xone 3:D
To assign a MIDI control to a parameter, first click on the word "MIDI" in the top right corner, everything you can assign will turn blue, click on the parameter you want to assign to a control (eg. an eq gain) and then activate the control you wan to control the parameter (eg. turn the dial you want to control the eq gain with) then click back on "MIDI" to ext the midi assign mode.
- Tip
Whilst in MIDI assign mode, if you open the file browser you will see a list of the currently assigned parameters, what midi signal controls it, and also what the maximum and minimum values these parameters can have are. for example, you may want the full range of a dial to control the volume of an audio track. if you never find yourself cranking the track volume above 0DdB then you may want to assign the maximum track volume to 0dB, thus giving you more precise control over the volume of that track.
You can also assign keys on your normal PC keyboard to do various stuff. click on the word "KEY" in the top right corner, everything you can assign will go yellowy, again, click on something and press the desired key.
- Tip
make sure the little piano icon to the left of the "KEY" button isn't illuminated otherwise you won't be able to assign keyboard controls.
